After a limited release of this title, it will now be available to the masses worldwide!
Composer's Notes by Arnold Dreyblatt
On "Resonant Relations"
With support from the Irish Arts Council in 2004, I was commissioned by the Crash Ensemble, Dublin to compose a new work. During a series of intense working visits over a one and half year period, members the ensemble was introduced to the Dreyblatt tuning system. The Crash Ensemble is the only group outside of my own previous ensembles which has learned to perform in my intonation of 21 unequal tones based on the first eleven partials of the harmonic series and their multiples. The resulting work, "Resonant Relations" was composed for flutes (wooden and metal), trombone, violin, viola, cello, contrabass, harpsichord, and percussion (timpanies, snare and bass drum, metal pieces).
The work was first performed at the Sugar Club in Dublin on 27 October 2005 in a program co-curated with Crash artistic director Donnacha Dennehy which included performances of compositions by my two composition teachers La Monte Young and Alvin Lucier.
On "twentyfive chords in twentyfive in ninety four variations"
Gelbe Musik ("Yellow Music") is a gallery and record/cd store in Berlin which specializes in contemporary music. Internationally known, "Gelbe Musik" has become somewhat of an institution in Berlin over the years. For the 25th anniversary in 2006, director Ursula Block asked me to create an exhibition of early scores from 1976-1981, which I entitled, "Working Papers". "twentyfive chords in twentyfive in ninety four variations" was one of two pieces which I composed for the occasion, and which was presented on a limited signed edition CD of 25 copies. The piece proceeds through 95 variations of 25 chords which are based upon the pitch of the 25th harmonic, which is used in my tuning scale.
On Working With Arnold Dreyblatt
It was such a pleasure for Crash Ensemble to work with Arnold on this project. We had long been fans of his incredibly distinctive music. I remember the first day I heard a recording from his wonderfully titled Orchestra of Excited Strings. This jingly-jangly rhythmically driven obsession with the overtone series was something entirely new to me. It left a strong impression. We were delighted when in 2004 we were in a position to commission Arnold to write a piece for the group with funding from the Arts Council of Ireland. He made many visits to Dublin, even teaching the group exactly how his system worked so that they were able to understand the relationship between the numbers and the overtone series. Everyone started to listen in an entirely different, ferociously precise way. "Resonant Relations" was premiered in October of 2005 at the Sugar Club in Dublin in a programme co-curated by Arnold and I (including other pieces by him, Alvin Lucier and La Monte Young). The piece was recorded shortly afterwards at Westland Studios in Dublin.
-Donnacha Dennehy, artistic director of Crash Ensemble
For more information about the composer, please visit the artist page of Arnold Dreyblatt.