New Work for Crater Lake performed by the Britt Festival Orchestra (World premiere)

Friday, July 29, 2016 to Saturday, July 30, 2016

FREE to all park-goers

World Premiere Performance: 
Friday, July 29, 10 a.m. Watchman Overlook Corral. This performance is by invitation only, with vehicular transportation coordinated by Britt. In addition, walkers or cyclists are welcome to attend.

Performances at Picnic Hill, near the Rim Village:
Friday, July 29, 2 p.m. and 5 p.m.
Saturday, July 30, 11 a.m., 2 p.m., and 5 p.m.

Crater Lake National Park
OR 97604


Saturday, July 30, 2016 - 4:00pm

© Stephanie Berger

6-hour festival finale featuring more music by guest composer, Eco-Revolutionary John Luther Adams, plus a special renditions of Steve Reich’s early classic Music For Mallet Instruments, Voices and Organ, Julia Wolfe’s raucous Tell Me Everything, and a world premiere by Bang on a Can All-Star and festival favorite, Ken Thomson.

MASS MoCA - Hunter Center
North Adams, MA 01247

Mizzou International Composers Festival: Alarm Will Sound

Saturday, July 30, 2016 - 7:30pm

Photo credit: Carl Socolow

As part of the Mizzou International Composers Festival, Alarm Will Sound performs Eight World Premiers: 

Matthew Browne - Writers' Room

Takuma Itoh - Arrow of Time

Mary Kouyoumdjian - Paper Pianos

Ryan Lindveit - Spiked

Trey Makler - Long String of Molecules

Daniel Silliman - Endless Castle Romance

Wang A Mao - Prowesses

Wang Lu - Backstory

Missouri Theatre
203 S 9th St
Columbia, MO 65201

Sō Percussion’s “Trilogy” on the Lincoln Center Festival: Cage, Lansky, Mackey

Saturday, July 30, 2016 - 8:00pm

The earliest piece planned for Sō Percussion’s trilogy of concerts, John Cage’s Third Construction from 1942, represents a landmark in composing for percussion. Here, instruments from around the world—including rattles, drums, tin cans, claves, cowbells, lion’s roar, cymbal, ratchet, teponaxtle, quijades, cricket caller, and conch shell—are arranged and re-arranged into various combinations to create an astonishing array of colors and rhythms. The second piece, Paul Lansky’s Threads, is one of the most popular works ever written for percussion ensemble. Structured like a Baroque cantata, it swings between moments of intense delicacy and ecstatic drumming. Finally, the four mini-concertos of Steve Mackey’s It Is Time marshal the virtuosity of the individual members of Sō Percussion to speed up, slow down, warp, celebrate, and mourn our perceptions of time.

Lincoln Center - Stanley H. Kaplan Penthouse
165 West 65th Street
New York, NY 10023

John Luther Adams: Dream in White on White

Saturday, July 30, 2016 - 8:15pm

Photo by Pete Woodhead

Chautauqua Symphony Orchestra with the Music School Festival Orchestra 
Rossen Milanov, conductor 

John Luther Adams, Dream in White On White 
R. Strauss, Eine Alpensinfonie, op. 64

Chautauqua Amphitheater
1 Ames Ave
Chautauqua, NY 14722

Sō at the Chautauqua Festival

Monday, August 1, 2016 - 4:00pm

With its innovative multi-genre original productions, sensational interpretations of modern classics, and “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope of the modern percussion ensemble. Sō Percussion creates and presents new collaborative works to adventurous and curious audiences — come be curious!

Lenna Hall at the Chautauqua Institution
One Ames Ave
Chautauqua, NY 14722

Inuksuit - John Luther Adams

Saturday, August 6, 2016 - 2:00pm

Photo by Pete Woodhead

A performance like no other Bravo! has ever done. Scored for 9 to 99 percussionists across a vast outdoor space, “Inuksuit,” composed by Grammy Award-winner John Luther Adams, was described by The New York Times as “the ultimate environmental piece.” Presented in Maloit Park with 66 percussionists, “Inuksuit” provides a unique and individualized listening experience. As the soundscape builds you walk through the piece visiting small collections of players or lone instrumentalists who, as they move to various performing stations, weave apparent randomness into a stunning cohesion. 


Maloit Park
Minturn, CO 81645
Touring in support of: 

MAPA – Northey conducts Sibelius, Lisa Moore Piano

Saturday, August 6, 2016 - 7:30pm

Program: “Benjamin Northey conducts Sibelius”

Lachlan Skipworth - New work*
Shostakovich - Piano Concerto No. 2, F major, Op.102
Sibelius - Symphony No. 6, D minor, Op.104

*Monash University Ed Byrne Commission

Benjamin Northey conductor
Lisa Moore piano

Monash University - Robert Blackwood Hall
49 Scenic Blvd
Clayton, VIC 3800 Australia

Inuksuit - John Luther Adams

Sunday, August 7, 2016 - 1:30pm

Photo by Pete Woodhead

Premiered in New York in 2012 “Inuksuit,” written for nine to 99 percussionists, strives to provide an ever-changing soundtrack to the enormity of the earth itself. The composer, Pulitzer-Prize-winner John Luther Adams, has said of it, “At a certain point the music becomes too big for the concert hall, so then you have no choice but to move outside.” The New Yorker’s Alex Ross has described the work as “the ultimate environmental piece.”

The epic composition for large percussion ensemble will be performed on the David Karetsky Music Lawn outside the Benedict Music Tent August 7. Listeners are invited to wander freely through the (musical and actual) landscape, so not only is each performance unique, so is the journey of each individual listener. Inuksuit is a co-production of the Bravo! Vail Music Festival and Aspen Music Festival and School.


David Karetsky Music Lawn
960 N. 3rd Street
Aspen, CO 81611
Touring in support of: 

Sila: The Breath of the World - John Luther Adams

Saturday, August 13, 2016 - 4:00pm

Wander around the Riverwalk Center Lawn and be part of the “ecological listening” this unique composition by John Luther Adams celebrates. Musicians of the Breckenridge Music Festival Orchestra are set loose from the conductor’s baton and allowed to play at their own tempo, with just one condition: each sustained tone or rising phrase lasts the length of a full exhalation. The composer’s deep concern with the interactions between humans and environment are exhibited, and what results, as Adams says, is “the breath of the world, the memories of not just one of us, but all of us.” Co-presented with Breckenridge International Festival of Arts (BIFA).

Riverwalk Center Lawn
150 W Adams Ave.
Breckenridge, CO 80424

'public domain' performed by Mostly Mozart Festival chorus at Lincoln Center (world premiere)

Saturday, August 13, 2016 - 5:00pm


Is there anything more celebratory than singing together? This year, experience the world premiere of Pulitzer Prize winner David Lang’s the public domain featuring a 1,000-voice volunteer choir. Led by renowned choral conductor Simon Halsey and presented outdoors on Lincoln Center’s iconic campus, the piece honors the shared knowledge that connects us all. It will be both an artistic revelation and an unforgettable community event.

Lincoln Center
10 Lincoln Center
New York, NY 10023

Amber Waves of Grain performed by the Britt Festival Orchestra

Friday, August 19, 2016 - 8:00pm

American composer Julia Wolfe won the Pulitzer Prize for Music in 2015. The Wall Street Journal wrote that Wolfe has "long inhabited a terrain of [her] own, a place where classical forms are recharged by the repetitive patterns of minimalism and the driving energy of rock." The orchestra will perform her 1988 work Amber Waves of Grain. 

Britt Pavilion
350 S 1st St
Jacksonville, OR 97530

Inuksuit - John Luther Adams

Saturday, August 27, 2016

© Shawn Brackbill

More than 60 percussionists will come together to perform John Luther Adams’s “Inuksuit,” an epic outdoor piece that has helped to redefine what live musical experience can be in the 21st-century. Rite of Summer will be presenting two afternoon performances of “Inuksuit,” a work the New York Times has called “the ultimate environmental piece.”

1pm and 3pm


Governors Island at Nolan Park
New York, NY 11231
Touring in support of: 

Bonjour Release Concert

Sunday, September 4, 2016 - 7:30pm

photo by Vicky Chow

The pieces on Bonjour's eponymous debut album are musical snapshots. Performed in no particular order, each one represents a day of the week and its associated mood, and some, like "Friday 3 PM," are more specific than others. Ghys draws on the Indian classical tradition of raga, the Western classical tradition, jazz and other popular music to craft his own idiosyncratic style that by turns builds like the best kind of post-rock anthem, grooves like a hocket-obsessed West African funk band, and has the harmonic vocabulary of a synthesizing sponge with a diplomatic passport. The players’ voices are alternately treated as additional melodic instruments or as dictaphones spewing nonsensical parallel quotes from a variety of literary, news, and other sources, as in "Monday Morning." The combination of vocals with guitars (electric and acoustic) and percussion, which includes everything from drum kit to melodica and glockenspiel, all of it fleshed out by several lush and pliable layers of lower strings, yields a surprising array of textures in which to become lost and then find one’s way out of, or to just relish staying lost in for a while. 

Joe's Pub
425 Lafayette Street
New York, NY 10003

Gaudeamus Muziekweek: Kate Moore - Fern

Wednesday, September 7, 2016 - 8:15pm

Amsterdam Sinfonietta and Slagwerk Den Haag Perform:

Shalygin - Lullaby for string orchestra

Morales - Music for Bones

Widmann - Aria (Dutch premiere)

Moore - Fern, for five drummers, five strings and electronics 

Van der Aa - Up-close, for cello, string orchestra, electronics and video

The TivoliVredenburg - Grote Zaal
Vredenburgkade 11
Utrecht, 3511 WC Netherlands

'darker' performed by St. Paul Chamber Orchestra at Liquid Music with film by Suzanne Bocanegra

Saturday, December 3, 2016 - 8:00pm

David Lang, one of America’s preeminent living composers and winner of the Pulitzer Prize for music, brings his contemplative work darker to Saint Paul for its Midwest premiere. Scored for 12 strings, darker is more of an object than a piece of music, weaving together intricate solo lines into a delicate and subtly emotional fabric. “My piece, like life, expends a lot of effort to go a very short distance,” says Lang. “From beautiful to a little less beautiful, from a little light to something a little darker.” The score to darker invites performers to add a live visual or lighting design to their performance, choosing from elements created by New York based visual artist Suzanne Bocanegra.

Ordway Concert Hall
345 Washington Street
Saint Paul, MN 55102

'the little match girl passion' performed by Pro Coro Canada ConSept

Tuesday, December 6, 2016 - 9:00pm

Pro Coro Canada ConSept provides a late evening meditation during the busy season of Advent, with David Lang’s spare yet incredibly fulfilling Little Match Girl Passion.  Introduced by the Dean of All Saints’ Cathedral, the Very Rev. Neil Gordon, this one hour candlelight performance showcases a quartet of singers who also play the glockenspiel and other percussion instruments.

All Saints’ Anglican Cathedral
10035 103 St NW
Edmonton, AB Canada
Touring in support of: 

'the little match girl passion' staged by R. B. Schlather at the Metropolitan Museum of Art

Tuesday, December 20, 2016 - 7:00pm

From the haunting Hans Christian Anderson story comes this Pulitzer Prize-winning parable. Composed by David Lang, it's influenced by Bach's St. Matthew Passion, and described as "poignant...and consoling" (New York Times). This performance is staged by R. B. Schlather whose directorial vision was hailed by the New York Times as "intriguing" and "inventive" in The Met's magical Medieval Sculpture Hall.

Metropolitan Museum of Art Mediaeval Hall
1000 5th Ave
New York, NY 10028
Touring in support of: