Sō Percussion

Sō Percussion, photo by Janette Beckman, 2012

photo by Janette Beckman, 2012

Sō Percussion, photo by Janette Beckman, 2012

photo by Janette Beckman, 2012

Sō Percussion, photo by Janette Beckman, 2012

photo by Janette Beckman, 2012

For over a decade, So Percussion has redefined the modern percussion ensemble as a flexible, omnivorous entity, pushing its voice to the forefront of American musical culture.  Praised by the New Yorker for their “exhilarating blend of precision and anarchy, rigor and bedlam,” So’s adventurous spirit is written into the DNA passed down from composers like John Cage and Steve Reich, as well as from pioneering ensembles like the Kronos Quartet and Nexus Percussion.   So Percussion’s career now encompasses 13 albums, touring throughout the USA and around the world, a dizzying array of collaborative projects, several ambitious educational programs, and a steady output of their own music. 

Over time, an appetite for boundless creativity lead the group to branch out beyond the composer/interpreter paradigm.  Since 2006 with group member Jason Treuting’s amid the noise, the members of So Percussion have been composing in their own right within the group and for others.  In 2012 their third evening-length work Where (we) Live premieres at the Walker Art Center in Minneapolis, travelling to the Brooklyn Academy of Music’s 30th Next Wave Festival and the Myrna Loy Center in Helena, MT.  Where (we) Live follows on the heels of 2009’s Imaginary City, a fully staged sonic meditation on urban soundscapes.  In 2011, So was commissioned by Shen Wei Dance Arts to compose Undivided Divided, a 30-minute work conceived for Manhattan’s massive Park Avenue Armory. 

So Percussion’s artistic circle extends beyond their contemporary classical roots.  They first expanded this boundary with the prolific duo Matmos, whom The New York Times called “ideal collaborators” on their 2010 combined album Treasure State.  Further projects and appearances with Wham City shaman Dan Deacon, legendary drummer Bobby Previte, jam band kings Medeski, Martin, and Wood, and Wilco’s Glenn Kotche drew the circle even wider.  In 2011, the rock band The National invited So to open one of their sold-out shows at New York’s Beacon Theater. 

So’s recording of the so-called laws of nature became the cornerstone of their self-titled debut album on Cantaloupe Music (the record label from the founders of Bang on a Can) in 2004.  In subsequent years, this relationship blossomed into a growing catalogue of exciting records.   In 2011, So released six new albums, ranging from their definitive recording of Steve Reich’s Mallet Quartet – composed for them in 2009 - on Nonesuch Records, to Steve Mackey’s epic quartet It Is Time on Cantaloupe, to their collaborative album Bad Mango with jazz trumpeter Dave Douglas on Greenleaf Music.  The BBC raved of So’s performance of Mallet Quartet that they “have it nailed, finding both the inner glow and the outer edge, and never letting the tapestry lapse into the flat or routine. 

Albums

So Percussion - Amid the Noise

Sō Percussion: Where (we) Live

So Percussion: neither Anvil nor Pulley by Dan Trueman

Tours

Wednesday, November 22, 2017 - 7:00pm
Derby, United Kingdom
Friday, November 24, 2017 to Saturday, November 25, 2017
London, United Kingdom
Monday, November 27, 2017 - 7:00pm
Newcastle upon Tyne, United Kingdom
Tuesday, November 28, 2017 - 7:30pm
New Castle, United Kingdom
Thursday, November 30, 2017 - 7:00pm
Blackburn, United Kingdom